Showing posts with label fusing. Show all posts
Showing posts with label fusing. Show all posts

Thursday, June 9, 2016

A Number Eight Shirt For GranddaughterStitches

It's time for GranddaughterStitches's new birthday number shirt!  This time I chose a light heather blue t-shirt for her.  I like the v-neck on this one.




 For the number eight fabric I used a piece of fabric that I'm pretty sure is from Judith Baker Montano's collection of several years ago.  I love the different colors in it, and how it looks almost shiny.




Fusing between the fabric and the shirt, and with a nice soft stabilizer behind the shirt, the machine blanket stitching went very well.  



I can't believe how old GranddaughterStitches is getting!  And pretty soon she'll be taller than I am!



Saturday, June 15, 2013

Stained Glass Window Quilt

I posted about this quilt a while ago.  It's a quilt for my guild's challenge.  The theme of the challenge was "Celebrate."


One day this idea came to my mind.  As an Episcopalian, the phrase "Celebrate the Eucharist" is something that I hear.  When I thought about how to represent celebrating the Eucharist, I thought about the beautiful stained glass windows in Christ Church (Los Altos, California).  When you click on the link you'll see the following photo.  This is one of those beautiful windows.  If you want to know more about the windows you can see that here.


Below is a close-up, pretty much what I based my quilt on.  


And below is the quilt that I made to represent this window.  I got to use very different fabrics than what I usually use for quilting.  I used satins, silks, and some polyesters.  Some of my "fun" fabrics.
   

I enlarged a photo, then made a pattern from it.  I traced the pattern pieces onto fusible web and transferred that to my satins, silks, or whatever I could find that was close to the original color of the windows.  I fused the pieces down to some black Moda Marble fabric.  Yes, I was crawling around the floor wearing my carpenters' knee pads(!), and using my small Clover craft iron.


 After I fused down the colored pieces, I did a lot of echo quilting all around the "glass" pieces.  It "flattened" the black fabric, and helped to accentuate the colored pieces. 

Another window at Christ Church Los Altos.

Tuesday, April 30, 2013

A "Number Five" Shirt for GranddaughterStitches


As I usually do for GranddaughterStitches' birthday, I decorated a new t-shirt for her this year.  I bet you can guess how old she is going to be this coming weekend!

I appliqued the number "5" onto the shirt, but I cannot take credit for the pretty ruffly flowers at the top.  That was just a lucky find.  


I fused the numeral onto the t-shirt, backed it with a stabilizer, then used a machine blanket stitch to go around it just for security.

Thursday, April 12, 2012

Nature Redesigns Highway One


Here is a photo of a portion of Highway One just north of where I live. Notice the jog in the road? That hasn't always been there. A few years ago that portion of the highway washed away. Which often happens on this coastal highway. After years of erosion, the soil just washes away, and without that support, the highway crumbles.

I've always been fascinated by this jog in the road. It makes this portion of the road just a little bit quirky, like some of us! And it demonstrates that nature is stronger than humans.

I've often thought of making a quilt of this scene. So I decided to do that for my guild's challenge this year, the title of which is West Coast Splendor. It's supposed to be about what we love about the west coast. Given that photo, I started out.


I made a line drawing by tracing parts of the photo, then took it to my local copy shop and had it blown up quite big. Not sure of the exact size, but this paper is maybe 4 feet by 2 1/2 feet.

Then I started choosing fabrics, and putting them in place. I decided to fuse this quilt, something I haven't done very much. But it sure goes quickly! Below you can see where I am deliberating over which fabrics to use.

And here is the finished quilt. The title is "Nature Redesigns Hwy 1."


Following are some detail shots. For part of the greenery I draped the fabric over the fusible and ironed it down leaving some wrinkles and pleats of fabric. I did cut all those little grass "zig-zags." When they refused to stay fused down (I guess it was just too little glue left on those tiny pieces of fabric), I decided that they would make a nice three-dimensional element to my quilt!


I wanted to put some flowers by the side of the road. So I got out my embellishing attachment for my Bernina. It does needle-felting on the machine, and is a lot of fun to play with.
Here I've needle felted down some pink gauzy fabrics, and then some green silk ribbons for leaves/stems.


The clouds were another area where I used my needle-felting attachment to add some three-dimensional interest. Wide, swoopy quilting added movement lines to the sky, too.

Sunday, July 3, 2011

Embroidered Flower Quilt



This is the latest quilt I have started. I bought this pattern many, many years ago, and am just now getting around to making it! There is a lot of embroidery on this quilt, and I need to have a hand-sewing project to work on. Sometimes I go over to someone else's house for a quilting group, and sometimes MisterStitches and I take road trips on fairly straight roads where I can sew without getting carsick!



This is the first block I made, to test out the pattern and see if I liked it before I prepared all fourteen squares. I think it turned out quite well with the dainty little flowers and leaves.

My optimistic thought is that by the time I get done with all this embroidery, I'll be fairly good at it! I learned to embroider when I was fairly young, doing mostly cross stitch and stem stitch. And I would say I'm fairly competent at it. But I didn't even know that back stitch existed until a couple years ago, thanks mostly to Jenny of Elefantz, who does amazing embroidery. So, I would like to improve on my skills.

The preparation took me quite a while to do, as there is a lot of cutting small pieces and strips, and sewing them together. The pattern said to tea-dye my muslin, which I did, but it turned out too dark. At that point, I didn't want to try to lighten it, or to dye another piece of muslin. So I made the executive decision to just use the unbleached muslin as it was. It had some nice slubs and irregularities in it, so I was happy with that. Each block consists of a muslin center square (or rectangle), a narrow print border, then a narrow muslin border, then a slightly wider print border for the outside. And they are not very big squares; the smallest one is 7" square finished, and the largest is 7" by 14" finished. I'll walk you through it here.


First I cut many, many 1 1/4" strips of muslin, because I knew I was going to need a lot. And of course, cut out the center blocks from the muslin, too.

For each individual block I cut out the print borders that I had chosen.


Here is the first 1 1/4" print border sewn around the muslin center.


And now I have the second border, the muslin one, sewn onto the block.


Then I sewed on the final border, which is a tiny bit wider than the others, but only by 1/4 inch! I made these outside borders wider than they were supposed to be. My thinking was that this would provide a little bit more fabric for the embroidery hoop to grab. That left my outside edges a little uneven, but it will be all trimmed up after it is embroidered.

Both of the muslin pieces will have embroidery on them. The only small difficulty in piecing these blocks was that I needed to press toward the colored fabric always, in order to have that small (3/4"!) muslin border free of seam allowances. That was not the way the seams wanted to lie, however, so I had to do a bit of coaxing with the iron.


After the block was finished I ironed on a piece of lightweight fusible to the back. This made it easier to trace the pattern onto the fabric (less slippage) and also makes for a nice base for embroidery.


Then, to the light box to do some tracing!

Or a window works well, too. I used a new pen that I found called "Frixion" by Pilot. I found out about this pen on my friend Gail's blog. It is a nice little 'felt tip-type pen,' with the unusual quality in that the marks can be erased. On paper, you simply rub away the marks with the special end of the pen. It is not a traditional eraser, but a rubber piece that uses friction (hence the name of the pen) to make the marks disappear.

However, on fabric the ink disappears when you iron it. And it's just a small touch of the iron that does it. How cool is that!!!??? (Thanks, Gail.) The first one I bought was a mistake, though, as it was a .7 pen. Way too heavy on the inky side. The .5 pen is a much better choice. (The .7 was the only pen the store happened to have when I was there.) I found the first one in a Walgreens, and the second one at a quilt shop. The line is so nice and small that I think I'll be covering most of it up with my thread, but I can always get rid of any stray marks with a light sweep of the iron.


Here is a shot of a different block after it was all traced. I really like this pen for tracing on fabric.


The pattern instructions said to add some batting to the back of the block before embroidering it. They said it would make for a more "quilty" look to the embroidery. I've never worked that way before, and thought it would be impossible to embroider through all that. But I tried it and it actually worked! So I cut a small piece of batting for each block. I used a polyester batting here, as I have a hunch that will be easier to sew through than cotton batting.


The last step was to put each little completed block into its own (recycled) plastic bag. I labeled each with the block number that is inside. Now I can just grab one (or a few) of my blocks to take with me to work on.

After I completed all these steps, I laid all the separate blocks out on my
bed--in the correct pattern order placement--to see how they would look together. I had kind of done this with just the print border fabrics before I started cutting, but now that they're all sewn up, it gave me a much better image. I found that the quilt didn't look quite balanced, color-wise. Too many dark borders in one corner, for example. So I just switched some of the blocks around. As long as I traded the same size blocks, I don't think it will matter. I ended up with a more pleasing color scheme.

I'm very excited to get started on this project. As I said, it has been languishing in my pattern file for a long time now. Each time I saw it I would think, "That is so cute--I really want to make up that pattern."

Tuesday, December 28, 2010

Washington T-shirt for BabyStitches

Here is a little t-shirt I made for BabyStitches for Christmas. I saw the idea on someone's art/craft blog, and thought I'd try it. It's an outline of Baby's state, with a heart button marking the spot where she lives.
The original idea was to make a template from freezer paper, iron it on to the shirt, and use fabric paint to paint the state onto the shirt. At first I was going to do that. But then I thought, I'm really more of a sewing person than a painting person, so why don't I sew it instead?

First I found an outline of Washington state on the internet. (Easy) Then I figured out what size I needed it to be, and reduced it to fit my little shirt. (Also easy)

Then it was simple to trace the pattern (backwards) onto fusible, fuse it to the fabric and cut out the shape, and iron it to the shirt. I used my machine blanket stitch to go around the outside of the state. I experimented a little bit on knits, and decided to put some muslin on the inside of the shirt, just to give it a little more "substance" when doing the blanket stitch.

I'm pretty happy with how it turned out. Because of the muslin on the back, though, it is just a little bit stiff. I'll have to ask BabyStitches if she minds this.